I have always been a huge Star Trek fan. Playing Morn on Star Trek: Deep Space Nine was a wish come true. It didn't matter to me whether Morn spoke or not, but when the Star Trek writers and producers decided to make "Who Mourns for Morn?" I knew that it was the biggest compliment they could ever pay me. So, when Star Trek.com asked me to write a piece to commemorate the 15-year anniversary of "Who Mourns for Morn?" I couldn't resist.
Ever since I was a child I've dreamed about what it would be like to travel to the stars. Imagined what it must be like to fly like Superman. Marveled at the potential of the human mind and admired the indelible dynamism of the human spirit. The ingenuity of great thinkers and the ability to overcome great obstacles and to achieve great things are for me like music for the soul.
"To explore strange new worlds. To seek out new life and new civilizations. To boldly go where no man has gone before" meant more to me than just a suggestion. When I saw Captain Kirk or the pointy-eared Mr. Spock on the television screen I knew what it meant, all right. I was ready for an adventure to the stars on a great starship capable of traveling light distances at warp speed, and when it was over I was back in my living room somehow satisfied that I had experienced something. I'm not sure exactly what it was, but I knew I wanted more.
For me, playing Morn on Deep Space Nine was more than just a job. It was an opportunity to live that dream -- and to somehow participate in the modern mythology that is Star Trek, which has become such an integral part of popular culture.
"Who Morns for Morn?" is probably the best Morn episode ever. This is the back story on Morn that Deep Space Nine fans had been requesting for years. I look back on it and now I can laugh at it, but at that time the significance of that episode wasn't as clear. When I first heard rumors about an episode in which Morn was going to die my first reaction was that my career on Star Trek was over. But as the weeks wore on I began to take these rumors in a different light. They were always changing from one day to the next. One day, they said Morn was going to speak and the next day they said that they wrote it out. Then they said Morn was going to die, and next they said that maybe he would only fake his death. So, I learned to take everything that people were talking about on the set with regards to "Who Mourns for Morn?" and other upcoming episodes with a grain of salt. I think after a while I even began to enjoy it.
It wasn't until 2002, though, when I was asked to do an interview for the Deep Space Nine DVD collector’s box set DVD extras, that I discovered certain things. In a conversation I had with Penny Juday, who worked for the Deep Space Nine production during the filming of "Who Mourns for Morn?" and was coordinating the interviews for the production of the Deep Space Nine DVD extras, Penny told me, in confidence, that it was during a production meeting where the writers and producers were discussing the making of "Who Mourns for Morn?" that the subject of possibly killing Morn off in the episode was discussed. Penny told me that it was she who spoke up on Morn’s behalf and that it was somehow because of this that the storyline changed from Morn being killed off in the episode to Morn faking his own death. What she told me about the production meeting went something like this: Penny said, “You can't kill Morn off. If you do that, you would be killing off your mascot. The fans love Morn!"
And I think it was because of this that we have the dialogue between Quark and Odo in the teaser... Odo: "You replaced Morn with a hologram. Why?" Quark: "People love him. He's like a mascot. Everyone that comes in here expects to see him and if they don't, it doesn't feel like home to them." Odo: "And that's not good for business." Quark: "The last time he went away, my sales dropped almost 5%." Odo: "So why doesn´t it talk?" Quark: "Do you have any idea how much an interactive holo-projector costs? Besides, it's a relief not to have to listen to him go on. You know Morn, he never shuts up. I'd trade this for the real thing any day."
There are several other references in this episode that come directly from my relationships with cast, crew, writers and production people. I used to practice Tai chi chuan, a Chinese martial art, on the set in between shots that I was needed for. So, in “Who Mourns for Morn?” when Dax and Worf are talking, on their way to the memorial service for Morn, Worf says "Morn was an excellent sparring partner. I will miss our weekly combat in the holosuites," it came from my practice of Tái Chi. Even the “Matador” painting that Morn had hanging in his quarters was somehow related to that. I think I told one of the writers or someone on the set that Tái chi chuan was like a matador in a bullfight by analogy.
My favorite scenes to shoot for “Who Mourns for Mourn?” were the Morn Hologram and, of course, when Morn returns at the end. But I also appear out of makeup at the memorial service as the Bajoran civilian that Quark asks to sit in Morn´s seat “to keep it warm for Morn.” Ira Steven Behr told me it was an inside joke, but I think now just about everyone knows this. I spent even my days off watching the filming. Every chance I had to be on the set was an opportunity to study acting and filmmaking, which has always been a great passion of mine.
I wish to thank everyone who was involved in the writing and production of Deep Space Nine and “Who Mourns for Morn?” without whose support none of this would have happened. As Quark can attest, I could literally go on about all of this for hours, but I guess you´ll have to catch up with me again sometime, maybe at a convention; feel free to follow me on Twitter, Facebook and/or my site. As for the thousand bricks of gold pressed latinum... the rest is in the bank of Bolius, Account Number# CJ5 7436.
And… Morn, wherever you are, I love you. You are always welcome to come back again and visit me.