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Extraterrestrial Contact

david.lundman.woodwaterea
rth

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POSTS: 7

Report this Oct. 06 2012, 8:56 am

Hi, I'm David. I'm from outer space.

MoppyCGDaniels

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Report this Oct. 10 2012, 4:58 pm

No need for concerns Dave!

K_tigress

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Report this Oct. 12 2012, 9:39 pm

In a way, were all from outer space.


He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it. -Douglas Adams (1952-2001)

dryson

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POSTS: 749

Report this Oct. 14 2012, 9:00 pm

Very true.


This brings me to a question that us space nuts can fathom and wonder about.


After recently watching Prometheus, the prequel to Aliens, which was very good by the way there was a scene that sparked my imagination and wonder.


In the movie Dr. Shaw becomes impregnated with an alien fetus that was.....you'll have to watch the movie for the cliff hangar.


The problem is that she is infertile and not able to have child with humans but is able to be a host for the alien species.


This brought me to a fascinating question.


Is it possible that infertile females and males on Earth are actually a humanoid variant of our species that does not have the DNA encoding to mate with Earth humans but when they encounter each other their reproductive systems would release the hormones necessary to complete the reproduction process?


If you think about it if Dr. Shaw became pregnant by the alien seed that somehow converted her DNA to be able to be used to create a fetus inside of her body. The alien was attached to her with an umbilical cord so that means the alien DNA was able to access her hidden reproductive DNA to create the alien fetus.


How interesting to think that humans who are infertile here on Earth are actually a coupling species that when they meet similar humans from another planet they would be able to create a bridge between Earth humans and Planet X humans to create the bridge species necessary to complete a first contact scenario that would further connect us to the Universe.


Just think there are planets out there with infertile females and males waiting to bring their species of humans together with our species of humans to create the missing link for our survival.

dryson

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POSTS: 749

Report this Oct. 14 2012, 9:02 pm

Welcome aboard David....you wouldn't happen to be having head aches would you....? You have to watch Prometheus to understand.

maihem

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POSTS: 5

Report this Oct. 14 2012, 10:43 pm

To much for Maihem to think about and thinking give Maihem headache and Maihem not think. Think people here are just spaced out and watch to many movies that are fiction Maihem think  maybe some have done to much LSD.


Know Me, Lov Me, .... Yeaahhh Babies!!! xoxoxo "How much I gotta pay you to take my virginity"

Fleet Admiral Braxton

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POSTS: 288

Report this Oct. 15 2012, 3:48 pm

If you Happen to be a Klingon From Uranus.....Nah!

K_tigress

GROUP: Members

POSTS: 3761

Report this Oct. 16 2012, 8:56 pm

[quote]


Very true.


This brings me to a question that us space nuts can fathom and wonder about.


After recently watching Prometheus, the prequel to Aliens, which was very good by the way there was a scene that sparked my imagination and wonder.


In the movie Dr. Shaw becomes impregnated with an alien fetus that was.....you'll have to watch the movie for the cliff hangar.


The problem is that she is infertile and not able to have child with humans but is able to be a host for the alien species.


This brought me to a fascinating question.


Is it possible that infertile females and males on Earth are actually a humanoid variant of our species that does not have the DNA encoding to mate with Earth humans but when they encounter each other their reproductive systems would release the hormones necessary to complete the reproduction process?


If you think about it if Dr. Shaw became pregnant by the alien seed that somehow converted her DNA to be able to be used to create a fetus inside of her body. The alien was attached to her with an umbilical cord so that means the alien DNA was able to access her hidden reproductive DNA to create the alien fetus.


How interesting to think that humans who are infertile here on Earth are actually a coupling species that when they meet similar humans from another planet they would be able to create a bridge between Earth humans and Planet X humans to create the bridge species necessary to complete a first contact scenario that would further connect us to the Universe.


Just think there are planets out there with infertile females and males waiting to bring their species of humans together with our species of humans to create the missing link for our survival.


[/quote]


 


Hummmm you may have a point there. Might explain why I have a hard time finding my kind?
I can never find a close kind it seems.


He felt that his whole life was some kind of dream and he sometimes wondered whose it was and whether they were enjoying it. -Douglas Adams (1952-2001)

david.lundman.woodwaterea
rth

GROUP: Members

POSTS: 7

Report this Nov. 12 2012, 10:11 pm

Actually, I am a real extraterrestrial and I am really on earth. Live forever bra.

david.lundman.woodwaterea
rth

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POSTS: 7

Report this Nov. 12 2012, 10:24 pm

  I am an extraterrestrial human being. The spacecraft that I came from is referenced by numerous cultures around the earth. From ancient Egyptians who represented the craft on King Tutankhamun's Golden Throne to ancient Chinese who represented the craft with the eightfold trigram theory central to martial arts ; And from ancient Israelites who represented the craft in the Torah and hidden within the Torah Code to ancient Mayans who represented the craft with  the Mayan Calendar.


  Firstly, the ancient Egyptians represented the spaceship on Tutankhamun’s Golden Throne on the left side of the backrest.  There is the image of the spaceship’s interior floor plan and at the center of that image is the circular table.  The rounded profile of that table rises from the center of the circle.  Under that symbolism is a rectangular profile of an interior wall section, and underneath all of those symbols are curved profiles of the interior view screen.  The interior floor plan of the spaceship is also represented by the Aten symbol at the top center of the backrest, and there the circle represents the table from a top view perspective and the lines extending from the circle represent the wedge shaped floor sections.  The open gold rectangle made around the central Aten represents the entryway into the spaceship.  Tutankhamun is shown seated to the left in a throne which represents the location of thrones within the spaceship from the perspective of one entering the interior.  The spaceship is also represented in the tomb of Sennedjum with the image Eyes of Horus.  The interior’s central white circular table is clearly visible between the two eyes which represent the view screen.  The table’s rounded profile front view and circular top view drawings are beautifully shown.  Sennedjum’s Eyes of Horus is an ancient blueprint of the spaceship’s interior.  Observe how that rounded profile has a mirror line in it where the curve extends downward.  The mirror line represents the floor within the spaceship, and the mirror line is coincident with the top of the animal legs which represent the black wedge shaped floor sections.  It is like a blueprint of moonlight reflected in water.  The black wedge shaped animal sections there in the tomb are similar to the black wedge shaped animal forms from the oldest known cave art created by humans shown in the film The Cave of Forgotten Dreams.  Dated to over 25,000 years of age the ancient cave art has black wedge shaped animal heads patterned around a central point to make a black polygon, and the same centered rounded profile that exists within the tomb of Sennedjum where the same wedge shaped animal head images are identified by the scarves around the animal’s necks also exists within the ancient cave art.  The wedge shaped animal heads like the Aten symbol represent the black floor sections within the spaceship and the curved central profile represent the circular white table in the center of the spaceship’s interior. Kamat, the ancient name of Egypt may mean black floor like the black floor of the spaceship.


  Secondly, the ancient Chinese represented the Spaceship with the eightfold trigram or eight pa kua patterned in a polygon around a yin yang.  According to the book Qigong Teachings of a Taoist Immortal there are a series of exercises called the eight brocades which relate to the sequence of the eight pa kua.  The book gives the sequence as Heaven, Thunder, Valley, Water, Fire, Wind, Mountain, and Earth.  The eight black pa kua symbols in the traditional arrangement of the polygon identify locations within the spaceship that I have come from.  The sequence of the eight brocades represents the footpath that one walks within the spaceship.  The first brocade of Heaven represents the point within the spaceship where one is given form, manifested, fattened, or materialized and where one enters the spaceship through the constantly open black rectangular entryway.  The second brocade of Thunder represents the point in the spaceship to the right of the view screen where two people stand and talk about the future.  The third brocade of Valley represents the point in the spaceship to the right of the entryway where one is levitated, transformed into light, and transported toward the view screen and beyond it out of the spaceship so that the immortal soul may be reincarnated on the earth.  Because that sequence of brocades represents locations within the spaceship where one stands it should be important to know where everybody stands within the spaceship to gain a more complete understanding of the eight brocades and the functional process of immortality.  First, the soul of one person is given the form of a body at the interior entryway of the spaceship at the heaven pa kua.  The room is large, black, and made of vertical black rectangular wall sections patterned in a polygon around a central axis where there is a single circular white table.  To the left of the entryway are multiple black thrones and to the right of the entryway is the teleportation system.  So directly in front of the entryway there is the table and in front of the table is the view screen.  The width and height of the entryway are slightly larger than the width and height of the person entering the room.  The width of the bottom diameter of the central white table is about the width of the feet as one stands and the width of the top diameter is about the width of the shoulders and the height of the table is about half the height of a person and there is a short extrusion of the circular table surface making a small cylindrical tabletop.  Second, one walks forward toward the Earth pa kua and pauses briefly in front of the table.  Third, one walks to their right or counterclockwise around the table a fourth of the circumference.  Fourth, from the Water pa kua walking forward toward the Fire pa kua is another person who walks clockwise around the table a fourth of the circumference.  Fifth, after some movement the positions of the two people result in being to the right of the table from the perspective of the one who entered the room from the Heaven pa kua across from the Fire pa kua.  There the two people stand and talk.  The person from the Heaven pa kua is further from the table and facing the table and the person from the Water pa kua is closer to the table and facing the Fire pa kua.  In my experience both of us were male. Sixth, located at the Fire pa kua are two men and two women who I witnessed talking as I turned to look over my shoulder.  The four people were standing equidistantly alternating male and female.  Seventh, the two of us walk a short distance around the table toward the view screen and are now aligned with the Thunder pa kua and then the two of us walk toward the Thunder pa kua and again pause and stand at about the point where an imaginary line from the Valley pa kua to the Earth pa kua intersects with the line of our footpath.  There the two of us talk more.  In my experience I discussed the nature of humanity and the human obsession with evil, how I could not understand the human preoccupation with evil and perversion, and how I was repulsed by these human behaviors.  Eighth, I look to my left and I see a woman located in front of the Heaven pa kua walking from the Wind pa kua where there are the black thrones toward the Valley pa kua where there is the teleportation system.  Ninth, the two of us continue walking to the Thunder pa kua at the right side of the view screen and there look out into space through the view screen.  It is there that I see the earth from space.  Next on the view screen I see the future life that I am intended to live.  The two of us talk about that life, the importance of it, and feelings about it.  Imagine the Torah Code expressed as real life events on a movie screen and knowing the future before it happens.  It is there after serious contemplation that I made my decision to live the life I am living now and to accept my assignment.  The two of us also talked about the arrival at earth of our space fleet within my lifetime.  Among the few things I recall hearing was being told, “You are important.”  The message from the heaven of outer space that I desire to express to you all is that you are all important as well.  Tenth, one walks alone from the Thunder pa kua around the polygonal wall sections clockwise in the direction of the Shang cycle through the Fire pa kua and to the Valley pa kua.  Eleventh, at the Valley pa kua there is a man standing facing the touch screen wall panel controlling the teleportation system.  There I levitate upward and I am transformed into light and energy and I see the room below through the consciousness of my immortal soul.  Twelfth, one may see as I did another person entering the room at the Heaven pa kua just before being teleported from the Valley pa kua toward and beyond the Earth pa kua and into outer space.  In all there were nine of us there who were walking in the spaceship.  Three of us were women and six of us were men.  All of us wore all white robes resembling traditional Japanese clothing.


  If the human body is viewed as a biological machine or as a ship that contains the immortal soul as the driving force of that machine just as the spaceship contains people who are immortal and control it then the center of the body is like the center of the spaceship and within the central microcosm of the material body formed through the eternal consciousness of the immortal soul there is a point called the Ocean of Qi.  The Ocean of Qi point represents the constantly open entryway within the spaceship at the Heaven pa kua.  Just as that is the point in the spaceship where the soul is given form within the craft it is also the point in the body’s central microcosm where the elixir of immortality is forged.


  Thirdly, ancient Israelites represent the spaceship within the Torah.  In the Zondervan TNIV Study Bible the Hebrew word for create from the book of Genesis is described as a reference to an object being created from clay.  The Egyptian deity Knum is said to have formed babies out of clay on his Potter’s Wheel and then to have placed the babies within their mothers’ wombs.  Knum’s Potter’s Wheel is a reference to the spaceship that I came from.  There are also Ezekiel’s Wheel and Jacob’s ladder.  Over thousands of years the definitions of words have changed and as a result our collective contemporary understanding of ancient beliefs is partially inaccurate because of mistranslations.  What may have once been understood as a spaceship has become understood as a Potter’s Wheel, and what may have once been understood as a flying disk with people within it whose souls were all immortal has become understood as the wings of the cherubim.  From the Mechanical Translation of the Bible Genesis 1:1 reads, “In summit he did fatten Elohiym at the sky and at the land.”  What does Genesis 1:1 really mean?  Does it mean as it says in the Holy Bible’s TNIV version that, “In the beginning God created the heavens and the earth.”  To understand what the verse may mean let’s examine our understanding of the word “fatten.”  When a woman becomes pregnant her belly becomes fattened.  The ancient Egyptians believed in a primordial mound from which life was created and some of their drawings of the primordial mound show the symbol of a sun on a horizon which looks like the front view of an erect penis from the perspective of a man looking down at it.  The primordial mound itself looks like the fattened belly of a pregnant woman and the womb within it, and there can be images resembling chromosomes and cellular replication phases.  It seems to me that the concept of the primordial mound is a represents reproduction through DNA.  If the summit spoken of in Genesis is a location within heaven or space such as within a spaceship, then perhaps it is the point within the spaceship corresponding to the Heaven pa kua and the first brocade where the soul is given form and the corresponding point within the microcosm of the human body called the Ocean of Qi where the elixir of immortality is forged and where about a man and a woman in union create the new life of a baby.  The concepts presented in Genesis 1:1 of being “fattened at the sky and at the land” may then be understood as the functional process by which the immortal soul is transported from the spaceship and into the newly formed body of the baby within the womb which acquires the soul.


  The Torah goes beyond describing the origins of life on earth, and given the fact that it was written by multiple beings referred to as Elohiym who have the ability to transport the immortal souls of life forms through space-time, engineer life on planets, and know all possible futures before the future occurs then it seems rational that the Torah contains a code within it which describes future events which are like benchmarks in the project of engineering a future in which life continues forever.  What humanity knows of the nature of the universe is that the universe itself may end at some point in time and that all life in the universe will end.  Just as there is a habitable zone in space where life on the earth has been created and thrives there is also a habitable time in the universe for life to exist at some point between the big bang and when all the stars use all their energy.  To survive forever as biological life forms within a finite universe time travel may be a necessity.  That may explain why there is a code within the Torah.  I looked for evidence of my origin from space within the Torah code and I discovered that there is evidence at the equidistant letter spacing of 233 in Genesis.  The matrix also contains the word spaceship twice and by it are the names, Ptah, Knum, Allah, and Yahweh.  But how can clusters in the matrix be understood as part of a design?  I applied the geometric pattern of a hexagon over the letters in the matrix to see if the words in the clusters aligned with the shape of the hexagon and they did.  So, clusters of information within Torah code matrices are connected with geometric patterns.  Understanding that the eightfold trigram is a representation of a spaceship and that language changes over time, and knowing the layout of the spaceship represented by the eightfold trigram I realized that the pa kua symbols have been mislabeled.  If the octagon of trigrams image which usually hangs on walls is removed from a wall and put flat on a table or on a floor then it will be positioned correctly.  Imagine the black octagon on the floor and the three dashed lines which are usually labeled as the earth pa kua is actually a symbol for the entryway into the spaceship and that is why the lines are dashed.  The sky is a constantly open doorway.  In front of the entryway within the spaceship is the view screen where the earth can be seen from space.  The earth is a solid object rotating in space.  How would you represent a solid object with straight lines?  Would you represent the earth as three dashed lines or three solid lines?  I would represent the solid object of the earth and the spaceship’s view screen with three solid lines and openness of the heavens and the spaceship’s entryway with three dashed lines.  When lifted up from the horizontal surface where the eightfold trigram image was created and placed on a vertical wall the pa kua symbols must have become mislabeled, and over thousands of years the original concepts must have become misunderstood.  I redrew the pa kua symbols representing the correct heaven symbolism of dashed lines on the top and solid lines on the bottom because the open sky is above me when I look up and the solid ground is below me when I look down.  I also made twelve pa kua within my polygon and gave the pa kua four lines instead of three.  The interior room of the spaceship has more than eight or twelve sides.  I relabeled the pa kua in my drawing so that the solid and dashed lines represented a balanced system of inputs and outputs where dashed lines opening inward represent a input and dashed lines opening outward represent a output.  The resulting image shows the Heaven pa kua at the top and the Shang cycle moves clockwise in the sequence Heaven, Leaf, Wood, Air, Fire, Ash, Earth, Metal, Stone, Water, and Cloud.  I applied my dodecagon of four lined pa kua to the hexagonal pattern connecting words into information clusters within the equidistant letter spacing sequence of 233 within the Torah code of Genesis 31:36 to 34:14 and the image became centered at the Hebrew letter A in column 198 row 10 and I discovered that the Heaven pa kua aligns with the word aperture, the name Allah and the word chief aligns with the Wood pa kua which is the location within the spaceship to the left of the entryway where there are multiple thrones, and I discovered that word lung aligns with the metal pa kua.  Because the element of Metal is related to the yin organ of the lungs from traditional Chinese medicine according to The Encyclopedia of Dim-Mak I believe that the concept is sound.  Then written by the Water pa kua which is the location of the teleportation system in the ship are the words arose and arisen and that is consistent with my experience of levitating upward at that location.  Diagonally from the water pa kua toward the Earth pa kua is the word return and at the Earth pa kua is the word vagina and that is also consistent with my experience of returning to the earth from the spaceship through reincarnation and being born.  The size of the linear patterned hexagon which the dodecagon fits into is determined by the slope and length of the word spaceship from column 210 row 14 to column 222 row 18.


 


  Fourthly, the ancient Mayan Calendar represents the spaceship as well.  The circular center represents the table, and the surrounding rectangular signs patterned around it represent the walls.  The solar light rays represent the table profile.  As in the Golden Throne image in the left side of the backrest, the Mayan Calendar also represents the rectangular entryway on the top and the curved view screen under the centered face of the sun.  The oldest known Mayan mural also contains similar imagery.  There is a scene in the mural of a black man on the left and a white man on the right.  In Tutankhamun’s tomb there was a cosmetic box with the same concept.  The box has the head of a black man on the left and the head of a white man on the right.  The Mayan Calendar mechanically represents significant dates of events in the flow of time.  At the center is a circular symbol of the sun, and essentially the sun is a white sphere within the expansive blackness of space.  Just like the polygon of pa kua around a yin yang circle the Mayan Calendar has circle within a polygon, and like the imagery in Egyptian tombs the circle at the center is white.  A central white circular feature also appears in the human male body.  From the front, middle, and center of the body is a point representing the white table from the spaceship and that is the center of the central microcosm of the human body.  There is a dimple with the same curvature as the table.  If the tip of the middle finger is placed on that dimple and the tip of the thumb is placed on the belly button then the dragon and tiger points of the palms align pa kua points in the microcosm.  If the distance between the tips of the middle finger and thumb is multiplied by three upward on the chest then the point reached is just below the clavicle notch and that point has the same curvature as the white table and so do the other points reached with the same unit of measurement which go thirteen times around the body on the control and function meridians.  The corresponding dragon and tiger points might then align with entryways in the body where chi could be manifested. 


  Be it Egyptian, Chinese, Israeli, Mayan, or one of the other cultures around the earth and through history all have some form of the same symbol such as the Seal of Solomon which represent the same spaceship and the same common extraterrestrial origin.


Where I'm From copyright 2012 by David Lundman

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