| Quote (grigori @ May 20 2010, 6:31 pm) |
And are you trained in critical literary theory as is grigori? you echo me. |
I do believe I could find some pretty fine enjoyment in such a field, especially if you are typical of the breed because even when I sometimes find myself with a differing p.o.v. than yours on something I seem to remember always enjoying your expression of what and why you have that p.o.v.
| Quote (grigori @ May 20 2010, 6:31 pm) |
:I'm not the only "expert" who maintains that if your knee-jerk reaction is that you don't like a work of art, then you really don't know enough about it. Your world of reference is too small!
You need to give writers the benefit of the doubt at least long enough to see if THEY achieved what THEY set out to do, and not be all clouded by your narrow expectations of the subject. |
Indeed yes. And, if I may, I would like to even broaden that to
the 'creator(s)' of a show who
have to rely on writers, producers, actors, networks, directors, and so on, to try and get
their baby to fly.
I will take it further to
the actors who
have to rely on directors, producers, writers, networks, and so on, to give them material
they can fly with.
Producers have to live under similar conditions. Their 'productions' rarely develop just as they had intended or were hoping for. Producers
are tossed about on a sea of actors, writers, networks, budget,
etc.And on and on in every-single-step-of-a-show
from conception thru completion.
I am frequently astounded to hear things like... this actor is crap, or that producer is nuts, or this episode is bad, that movie was ruined. Like the actor is the only one involved in his or her performance bottom line. Like the producer(s) has total control over writers, actors, directors, budget, bad days, networks, world events. Like the show doesn't have mutiple layers and directions from which it can be discovered rather than the illogically simplistic good/bad.
And here's my personal favorite... "The character should do [this or that]." Like an imaginary character:
1. whose story and dialogue comes from writers (and others on occassion)
2. who have good weeks and sometimes have bad weeks
3. and also have creators, producers, directors, and networks influencing their writing
4. and the imaginary character is depicted by actors
5. who are told what to say and do
6. and sometimes told "how" to say and do
and so forth
7. and myriad other things that can effect anything or everything
.... can possibly be thought of or commented on as being aware enough to be control of anything.
I can
never (never never never never never) view a character or a show without seeing
all the parts that make it. I see the writer, the actor, the producer, the director, the network, the actor's personal life, the producer's frame of mind, the network's accountant, and so on. To do less is simplistic beyond all logic to me. Beyond -yond-yond-yond all -all-all-all logic -ogic-ogic-ogic.
*echo effect referencingGalaxy Quest*Right.... I'm now leaving the world of
comment behind and entering the relm of
rant again. Must... Stop... Self... (Do critical literary theorists do this?)
| Quote (grigori @ May 20 2010, 6:31 pm) |
| :Once then informed, once you get not only the message but why they chose to convey it the way they did, and the possible advantages of that choice for the audience, THEN you can decide if the piece of art "doesn't work". |
I am in complete agreement.
| Quote (grigori @ May 20 2010, 6:31 pm) |
| ....distinguishing a writer's intent from an actor's gifts or limitations, and put the whole thing into a larger context--seeing the good things in episodes that those who dismissed them never even got NEAR seeing. |
Complete agreement here too.